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A Conversation on Arabie

A More Affordable Olfactionary

Amouage Dia (pour femme)

Amouage Epic Woman

Amouage Gold

Amouage Jubilation 25

Amouage Lyric Woman

Amouage Tribute

Amouage Ubar

Aroma M Geisha Rouge

Ava Luxe Café Noir

Best of 2009

Bond No. 9 Brooklyn

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Capote, Truman & Evening in Paris

Caron French Cancan

Caron Parfum Sacre

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Chanel 31 Rue Cambon

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Chanel No. 5 (vintage)

Chanel No. 22

Chantilly Dusting Powder

Comme des Garcons LUXE Champaca

Comme des Garcons Series 7 Sweet Nomad Tea

Coty Ambre Antique

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Creed Acqua Fiorentina

Creed Fleurs de Bulgarie

DSH Perfumes Quinacridone Violet

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Donna Karan Black Cashmere

Estee Lauder Private Collection

Estee Lauder Private Collection Jasmine White Moss

Favorite Fall Fragrances

Fragrances for Sweden

Frederic Malle Angeliques Sous La Pluie

Frederic Malle Bigarade Concentrée

Frederic Malle Carnal Flower

Frederic Malle Geranium Pour Monsieur

Frederic Malle Le Parfum de Therese

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Happy Solstice

Hermes 24, Faubourg

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Histoires de Parfums 1740

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Histoires de Parfums Blanc Violette

Histoires de Parfums Vert Pivoine

How I Store Decants

In Memory (w/mention of Lanvin Arpege)

Jean Desprez Bal a Versailles

Jean Patou 1000

Juliet by Juliet Stewart

Kenzo Jungle l’Elephant

L'Artisan Parfumeur Nuit de Tubereuse

L'Artisan Parfumeur Orchidee Blanche

L’Artisan Parfumeur Passage d’Enfer

L’Artisan Parfumeur Tea for Two

La Via del Profumo Balsamo Della Mecca

Le Labo Patchouli 24

Little Lists

Lorenzo Villoresi Yerbamate

Maitre Parfumeur et Gantier Eau des Iles

Message In A Bottle 

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Molinard Habanita

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Montale Black Aoud

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Montale Patchouli Leaves

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My Heart Has Skipped A Beat (summer smells)

My Perfumes Have Theme Songs

Nasomatto China White

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Perfume Quotes - The English Patient

Profumum Roma Acqua Viva

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Puredistance I

Recipe for Socca

Robert Piguet Fracas

Robert Piguet Visa

Sarah Horowitz Parfums' Joy Comes From Within & Beauty Comes From Within

Scented Reading

Scentuous Reading: One Hundred Years of Solitude

Serge Lutens Arabie

Serge Lutens Chêne

Serge Lutens Chergui

Serge Lutens Five O’Clock Au Gingembre

Serge Lutens Miel de Bois

Serge Lutens Tubereuse Criminelle

Serge Lutens Un Lys

Snow Days

Sonoma Scent Studio Incense Pure

Sonoma Scent Studio Jour Ensoleille

S-Perfume 100% Love {More}

Sweden Is For Lovers

T is for Taxes

Tauer Perfumes: Incense Extrême, Incense Rosé, Lonestar Memories, & Reverie au Jardin

Tauer Perfumes Vetiver Dance

The Amazing Adventures of Kavalier & Clay

The Intimacy of Scent

Thoughts of a Perfume Collector

Tightly

Unlocking an Unknown: Webber Parfum 6T

Vero Profumo Kiki, Onda, and Rubj

Viktor & Rolfe Flowerbomb

What I’m Lovin’ Now

Yves Saint Laurent Nu

A DOOR TO ANOTHER WORLD:


SERGE LUTENS TUBEREUSE CRIMINELLE

 

One of my favorite children’s books is the C.S. Lewis classic, The Lion, the Witch and the Wardrobe. The story centers around the adventures that four school-age siblings have in the mysterious world of Narnia, a land where it is always winter (but never Christmas), its perpetual freeze being the curse of its ruler, the self-appointed Queen of Narnia, the White Witch. Narnia is a bit like one of those strange new worlds in Star Trek: time unfolds differently than it does in the real world, and getting there is somewhat akin to entering a wormhole. The children discover Narnia by accident one rainy day when, forced to play inside, they begin exploring the rambling, old house of the professor they’ve come to live with for a time in the countryside away from London. Their parents have sent them to the professor’s country house to protect them from the air raids—the story takes place during World War II—and so they begin exploring the house and soon come upon a room that is empty except for a wardrobe. The older kids believe there is nothing of interest in the room, so they leave; however, the youngest, Lucy, stays behind and opens the doors of the wardrobe, slipping inside when she discovers it contains several fur coats (“there was nothing Lucy liked so much as the smell and feel of fur”). The front of the wardrobe contains only coats and mothballs, but where Lucy expects to meet the wardrobe’s back panel, she instead stumbles into a snowy wood, with a lamp-post at its center, and a path upon which all manner of critters will eventually tread: a brave faun, a horrid wolf, a couple of kindly helpful beavers, and the White Witch herself, on her sleigh pulled by albino reindeer.

 

I’ve been thinking about Narnia lately, as it's wintry here, and I’ve been wearing Serge Lutens Tubereuse Criminelle on my walks through the woods and fields. The strange opening of this scent is like stepping into that fabled wardrobe—a chilly blast of camphor and wintergreen that might intimidate the perfume-newcomer who hasn’t done much exploring in the land of niche, though not likely those who are reading here. Even so, I suspect that perfumistas who have “smelled it all” still thrill to this perfume’s icy mix of top notes, if only because it’s a potent reminder that we inhabit a world that is uniquely beautiful and often wondrously strange—a place where we are free to indulge our senses and play make-believe while still conducting ourselves as grownups.

 

Once I pass through Tubereuse Criminelle’s frosty opening, the perfume ushers me forth into another place entirely: a secret garden, where the snow is melting fast, as if C.S. Lewis’s great lion king, Aslan, savior of Narnia, has just strode through and, by his golden presence, turned winter into spring. What once was snow is now white flowers in early bloom, the greatest of these being tuberose—a clustered flower, unassuming in size, but so expansive and exquisite in fragrance, it stops me in my tracks. A reminder of snow never fully leaves this garden—there’s a coolness that lingers here, clinging to every petal of the flowers—and perhaps that’s why the bloom of tuberose seems so preciously surreal: for what bloom could emerge from the thick of winter and sigh its perfume so extravagantly in the still chilly air?  Only the bloom borne of a perfume bottle and of the creative talents of artist Serge Lutens and his perfumer, Christopher Sheldrake.

 

In Tubereuse Criminelle, two men created a masterful olfactory portrait of the tuberose flower—a flower that is not only heady and sweet but which possesses a complex array of scent components, including rubber, sweat, a hint of clove-like spice, and, yes, even camphor and wintergreen. Because they portrayed it so ingeniously, because they took the care to flesh it out so fully—what they imagined into the world is not just a simple soliflore perfume, but a compelling “tale” of the flower that seems destined to become a classic.
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Serge Lutens Tubereuse Criminelle is part of the non-export line of Serge Lutens fragrances and, at this time, can only be purchased in Europe. I highly recommend seeking out a decant of this magnificent scent.

Bottle image of Tubereuse Criminelle is from the Serge Lutens website, www.salons-shiseido.com.

Posted by Suzanne Keller, 12/17/2008.