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A More Affordable Olfactionary
Amouage Opus IAmouage Opus III
At the Moment (Chanel 22 & Marshall Crenshaw)At the Moment (Saki & Lubin Idole edt)
At the Moment (Secret de Suzanne /D'Orsay L'Intrigante)
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Bond No. 9 Andy Warhol Silver Factory
Capote, Truman & Evening in Paris
Comme des Garcons LUXE Champaca
Comme des Garcons Series 7 Sweet Nomad Tea
DSH Perfumes Quinacridone Violet
Estee Lauder Private Collection
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Guy Laroche J'ai Ose (vintage)
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In Memory (w/mention of Lanvin Arpege)
Jacomo #09 (Link to my review in Sniffapalooza Magazine)
L'Artisan Parfumeur Nuit de Tubereuse
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Maison Francis Kurkdjian Absolue Pour le Soir
Maitre Parfumeur et Gantier Eau des Iles
More Roses (rose cookie recipe)
My Heart Has Skipped a Beat (summer smells)
Northern Exposure "A Dash of Chanel No. 5"
Odin 04 Petrana (Link to my review in Sniffapalooza Magazine)
Olivier Durbano Black Tourmaline
Oscar de la Renta Oscar for Men
O Tannenbaum Joint Blog Project
Parfumerie Generale Bois de Copaiba
Parfums Karl Lagerfeld Sun Moon Stars
Perfume Quotes - The English Patient
Sarah Horowitz Parfums' Joy Comes From Within & Beauty Comes From Within
Scentuous Reading: One Hundred Years of Solitude
Serge Lutens Five O’Clock Au Gingembre
Serge Lutens Muscs Koublai Khan
Serge Lutens Tubereuse Criminelle
Sonoma Scent Studio Incense Pure
Sonoma Scent Studio Jour Ensoleille
Sonoma Scent Studio Winter Woods (brief mention)
Strange Invisible Perfumes Lyric Rain
Tauer Perfumes: Incense Extrême, Incense Rosé, Lonestar Memories, & Reverie au Jardin
The Amazing Adventures of Kavalier & Clay
Thoughts of a Perfume Collector
Unlocking an Unknown: Webber Parfum 6T
Velvet & Sweet Pea's Purrfumery Bed of Roses

LEARNING TO ADJUST MY VIEW OF MUSK
(OR, A RANT THAT LEADS TO A RAVE OF EAU DES ILES)
A few months ago I was swapping samples with another perfume blogger, and when asked what fragrances I was interested in, I wondered if she might introduce me to some good musks. Up to this point, I had been avoiding musk scents like the plague. Not that one can totally avoid musk, because if what I’ve read is correct, synthetic musk is a component of almost every modern perfume due to its superb fixative properties. And not only perfumes, but also cosmetics, food flavorings, and most obviously these days, detergents. (Have you noticed that it’s almost impossible to avoid being assaulted by the “clean”-musk funk of liquid laundry detergents, even if you don’t use them yourself? It seems almost every scented detergent in the supermarket these days is turbo-charged with white musk, so if you’re around people who, of all things, wash their clothes, you’re probably going to smell it.)
Anyway, getting back on topic, most of the perfumes I adore probably do have some amount of musk in them, and a chosen few have a rather pronounced musky component that I would say is part of the reason why I adore them. However, overall, I have never cared for fragrances in which musk plays a starring role (I prefer it as a bit player). The reason being, I dislike musk’s diffusiveness, or what I call its vague nature—and I hate, too, that most musk fragrances never live up to their hype. Musks are always hyped as being sexy; they are supposed to smell like skin, but to my nose they’re usually way too clean—too soapy or shampoo-ish—to smell sexy. And then there are those musks with slightly gourmand undertones: a faint dusting of cocoa that drives me insane because it’s so nebulous, I can’t decide if it’s really there; its ambiguity causing me to focus on it so intently, I actually get hungry (something which, oddly enough, never happens when I’m wearing an overtly gourmand scent, in which the notes announce themselves with a bow and curtsy).
At their very best, musk-heavy fragrances smell cuddly to me. The musk blunts the sharp edges of the other scent molecules that share its space and also acts like a film—or filter—that softens the hue of more saturated notes, like tuberose, for instance. While cuddly might equate to sexy for some fragrance lovers, to me it’s not the same thing. Blame it on the fact that I am only five foot two and have spent a lifetime being referred to as “cute,” but I usually bristle at the notion of cuddly perfumes. (There are exceptions, of course: I do love me some Flowerbomb, which has got a fluffy cuddliness to it. Or Tea for Two, with its snug drydown.) Much of the time, though, I prefer perfumes that have great presence and poise—or some kind of intensity—probably because those are the things that are lacking in both my persona and physical self.
It’s a detriment, though, to avoid things you don’t like. If I had a dollar for every person who has ever emailed me asking for a musky scent, I’d be halfway to a bell jar of Muscs Koublai Khan (the one musk scent I am holding out hope for as being the animalic musk scent of my dreams. We’ll see; I hope to try it soon). So, as mentioned at the start of this ramble, I asked the kind and lovely blogger I was swapping samples with to send me musk-heavy scents, and she sent me a handful of them: a couple by Ava Luxe (Gardenia Musk and Oriental Musk) and the widely-loved Drama Nuui by Parfumerie Generale to name a few. I’ve been playing with them all summer, and while I can’t say I’ve become a musk convert yet, there is one that wowed me, that made me understand the artful way in which musk can act as an olfactory Japanese screen, bridging the worlds on either side of it and softening the view from one to the other:
Eau des Iles, by Maître Parfumeur et Gantier. Imagine that on one side of that Japanese shoji screen there is a world of arid greenery, while on the other there is exotic lushness. Imagine that you have a set of top notes that bears more than a passing resemblance to the very austere Caron Yatagan, and a heart and base that reminds you of the creamy drydown of Parfums de Nicolai’s Sacrebleu. It would seem a difficult marriage to pull off—a difficult transition between the two—yet thanks to the gauzy weave of musk that holds them together, it works.
Posted by Suzanne Keller, 9/1/2009.

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